Working under the pseudonym Sante Visioni, Tokyo-based Italian artist Sandro Bacchi, operates at the intersection of system and instinct, where painting becomes a process of controlled destabilization.

His works develop through cycles of construction, erasure, and reconfiguration. Images are built, obscured, and reintroduced, allowing the surface to retain traces of its own transformation rather than resolving into fixed compositions. What emerges is not a final image, but a temporary balance produced through sustained adjustment.

Operating between figuration and abstraction, recurring elements—faces, words, and fragmented symbols—function as unstable anchors within shifting compositions. Their role is not to clarify meaning, but to interrupt it, resisting immediate legibility.

His approach is informed by a background in systems-oriented thinking, where repetition, variation, and constraint shape the development of the work. This logic extends beyond the canvas into the construction of repeatable structures that, through sustained iteration, begin to operate as ritual frameworks. Within these conditions, spontaneity remains central, guided by rhythm and gesture, often influenced by his engagement with sound and time-based processes.

Extending beyond the canvas, his practice considers painting as both an object and a process—one that can unfold across time, space, and context. Within this framework, balance is not a resolution, but a temporary state continuously renegotiated through tension.